Skip to main content
    Proof
    Aussie Plumbing — ad spend scaled 1.8× with enquiries up 2.1×, so each enquiry cost lessI-ELEC — a 231-page electrician website for Inner SydneyWhat a plumbing lead costs on Google AdsWhat a lead costs on Google Ads, industry by industrySLS Solicitors — cost per recorded Google Ads conversion down 58.48%Wilco Plumbing — a drains-first website, Sydney and NewcastleHow much should a trade business spend on marketing?State Choice Plumbing — a drains, hot water and gas websiteAussie Drains — a 600-page drain website for SydneyWhat an electrician lead costs on Google AdsAussie Electrical — a 650-page electrical website for SydneyThe most efficient ways for a trade business to get leadsEOL Melbourne — click-to-enquiry rate up from 28% to 33.4%What a cleaning lead costs on Google AdsAlliance Plumbing — ad spend scaled 1.8× with enquiries up 2.1×, so each enquiry cost lessImpress Blinds — cost per recorded Google Ads conversion down 62.63%FixCare Property — cost per enquiry down 56.36%Rubbish Removal WA — cost per enquiry down 53.18%Floral Cakery — cost per enquiry down 49.82%ILLUMINATE Laser Emporium — cost per enquiry down 48.54%Sydney Fence Painting — cost per enquiry down 33.68%Alliance Plumbing — cost per enquiry down 29.6%Gridless Build Solutions — cost per enquiry down 29.16%FacilityWorx — cost per enquiry down 23.62%Cornerstone Roofing — cost per enquiry down 20.47%Council finance — budgeting and workforce designCouncil planning — clearer approvals and reportingCultural audiences — media strategy and creative conceptsCommunity participation — surveys, maps and project pagesPublic-sector research — survey design and analysisPublic art — site studies and visual conceptsRegional identity — visitor guides and wayfinding conceptsCouncil systems — integration and migration planningA pressure washing business — service-led search campaignsA pressure washing business — a clear enquiry journeyA carpet cleaner — Google Ads built around cleaning servicesA roofing company — campaigns for repairs and restorationA CCTV installer — campaigns for security enquiriesA fence painter — search campaigns for specific surfacesA maintenance business — live in 8 weeks, 3 stacks gone5.0 across every Google review$120M+ in media under management250+ active engagements across five countries

    Facebook ads agency, Melbourne Nobody opens Facebook looking for you.

    Quick answer

    SoudCoh is a Melbourne Facebook and Instagram ads agency for businesses whose customers are not searching yet. Meta creates demand that Search later catches, so for most trades we run Search first. Our pixel and Conversions API set-up counts only real calls and forms.

    Source: SoudCoh research, reported Google Ads data from Australian trade and home-service businesses. An enquiry is a recorded phone call or submitted form, not a booked job.

    So the ad has to do the work a search would have done: name the problem, prove you can fix it, and make the next step two taps long. That is a harder job than answering a query, and it reaches people months before they would have typed anything.

    250+ active client engagements · Campaigns running in Australia, the UK, the UAE, Saudi Arabia and New Zealand · Tracking built before the first ad runs

    Client case studies

    Social campaigns and the pages after the ad.

    Explore WELND’s paid social work and the website journeys behind finance and retail enquiries. The stories show the creative, the landing experience and what we delivered.

    Showing 3 of 3 client projects

    Swipe through the projects or use the arrows.

    • WELND
      WELND website desktop homepage designed by SoudCoh
      FinanceMeta Ads

      WELND

      Australia

      Connected

      paid social and the finance enquiry journey

      Meta advertising and website delivery

      Read the case study
      See the website we built
    • WELND website desktop homepage designed by SoudCoh

      1/2 · Desktop

      Website development

      WELND

      WELND

      FinanceWebsite designMobile website design

      Australia

      WELND’s finance website: lending-service navigation, a debt-test entry point, calculators and a responsive layout. Explore the brand and enquiry journey.

      WELND is a Melbourne-based finance and mortgage brokerage serving customers across Australia.

      • Delivered: A warm visual identity with clear headings and finance service pages. First-home-buyer content with broker and phone choices.
      • Outcome: The delivered website explains finance topics in smaller steps and connects readers with tools or a broker conversation.
      Read full website case study
    • Impress Blinds website desktop homepage designed by SoudCoh

      1/2 · Desktop

      Website development

      Impress Blinds

      Impress Blinds

      Retail & productsWebsite designMobile website design

      United Kingdom

      Impress Blinds’ UK website: room photography, blinds and shutters navigation, home-appointment prompts and a mobile booking bar. View the actual design.

      Impress Blinds provides made-to-measure blinds and shutters in the United Kingdom.

      • Delivered: Product browsing for blinds, curtains and shutters. A roller-blinds page with room photography and a product explanation.
      • Outcome: The website lets customers look at finishes, understand a product and choose the next step towards a measure or quote.
      Read full website case study

    A closer look

    The work, in three steps.

    WELND

    WELND

    Website project

    Start with the business and its customers.

    WELND is a Melbourne-based finance and mortgage brokerage serving customers across Australia.

    • Australia
    • Finance website design
    • Service pages
    Explore the full project
    WELND website desktop homepage designed by SoudCoh
    Desktop

    For the campaign side, read WELND’s paid social case study. Its website story explains the page and enquiry journey; the campaign story explains the lead-generation approach.

    Inside the account

    Seven ways a
    Meta account leaks.

    None of these are exotic. They are what we find in almost every underperforming Facebook account we open, and not one of them shows up in an engagement report.

    • The boost button instead of a campaign

      Boosting picks the objective for you, and the objective it picks is engagement. You buy likes on a post about your new van, and nobody can tell you what a booked job cost.

    • One creative carrying the whole account

      Search keywords last for years. A Facebook creative lasts weeks. The same image against the same audience for three months is the single most common reason a cost per lead keeps climbing.

    • The pixel installed, the Conversions API never was

      Browser tracking alone loses a real share of conversions to privacy settings and blockers. Meta then optimises toward the conversions it can still see, which is a partial picture of your customers.

    • Audiences narrowed until delivery stalls

      Three interests, two behaviours, an age band and a ten-kilometre radius, all stacked. The ad set never gets enough volume to leave the learning phase, so the cost per result goes up rather than down.

    • Retargeting and prospecting bidding against each other

      Without exclusions, your cheapest audience — people who already visited — sits inside your most expensive campaign. You pay prospecting prices to reach people you had already reached.

    • Every conversion counted the same

      A newsletter signup and a A$4,000 job in one column. Meta then optimises toward whichever is cheapest to get, which is never the job.

    • Leads that arrive and then sit

      A lead form takes two taps, so people fill it in while they are still on the couch. Answered in five minutes it is a customer; answered in two days it is somebody who has already called a competitor.

    Our own Meta ads

    We run our own Meta ads the same way.

    Real ads from SoudCoh’s own Meta account, and what testing them taught us.

    • 2.7× cheaper per booked call: our best ad vs our median ad
    • 69% of our booked calls came from our top 10% of ads
    • 184 ads tested on our own account
    • 737 headlines and ad copy variants tested

    Swipe for more. Text as it ran, trimmed where long. The creative panels are redrawn here, not the original image or video.

    We can do this for you.

    We test your Facebook and Instagram ads the same way, and keep backing the ones that win.

    Book a free call
    The unit, actual size

    Two lines and one image.

    That is the whole space you get between a photo of somebody's niece and a video of a dog. Every character in it is a decision somebody made — and in most accounts, nobody made them.

    Your business nameSponsored

    The first two lines are all most people read. So they carry the offer and the reason to believe it, not the company history.

    Ad creative · 1200 × 628

    The offer, in one line a stranger understands.

    yourbusiness.com.au

    The offer, in one line a stranger understands.

    The proof underneath it — the guarantee, the response time, the licence.

    LikeCommentShare
    Example Facebook ad layout.

    So we write for the feed, not for the brand guidelines.

    The first two lines carry the offer and the reason to believe it, because that is where the feed cuts to “See more” and most people never tap it. The image has to work at thumbnail size on a phone held at arm's length. The headline is the last thing read before the tap.

    Then we go back and read which combination Meta actually served, which is regularly not the one we expected. That check is the difference between making six creatives and knowing which two are doing the work.

    • 125

      characters of primary text

      Roughly where the feed cuts to “See more”. Most people never tap it, so the offer lives above the fold or nowhere.

    • 40

      characters in the headline

      The bold line under the image. It is the last thing read before the tap, and the easiest thing in the account to write badly.

    • 30

      characters in the description

      The quiet line under the headline. Proof, not adjectives — the guarantee, the response time, the licence.

    • 10

      cards in one carousel

      Ten services, ten suburbs or ten products in a single unit, each with its own image, headline and landing page.

    • 50

      results per ad set, per week

      Roughly the volume Meta needs before delivery stops guessing. Split your budget across six ad sets and none of them ever get there.

    • 1–10

      % lookalike similarity

      1% is the closest match to your source list and the smallest reach; 10% is the widest. Which one works is a question the data answers, not the brief.

    Meta product limits and delivery mechanics, not performance claims.

    The record so far

    SoudCoh · all channels

    250+

    Active client engagements

    Google, Meta, LinkedIn, TikTok and organic, run by one team

    National cultural institution

    10

    Paid channels, one media budget

    Always-on, surge and test media for a national cultural institution

    Where campaigns run

    5

    Countries

    Australia, the UK, the UAE, Saudi Arabia and New Zealand

    Figures trace to live engagements and are dated in the case study or engagement record they come from. Public-sector and cultural clients are identified by sector and jurisdiction only. None of it is a forecast for your account.

    Ten things happen on a Meta account. Here they are, in order.

    This is the part most agency pages keep vague, and it is the only part that decides whether the money works. So it is written down.

    1. Fix the measurement before anything runs

      Meta pixel and the Conversions API together, so conversions that the browser loses are still sent from your website's server. Until that is right, every optimisation decision after it is guesswork with a dashboard attached.

    2. Count each action as itself

      Calls over sixty seconds, form submissions, bookings, chats and purchases as separate events with values attached. Meta optimises toward whatever you tell it matters, so it has to be told properly.

    3. Build audiences from your own data first

      Customer lists, website visitors, video viewers, people who opened a lead form and did not finish. Those are your warmest audiences and they cost the least to reach. Interests come last.

    4. Build lookalikes from converters, not from everyone

      A lookalike is only as good as its source. Seeded from all website traffic it finds you more traffic; seeded from people who actually booked, it finds you more of them.

    5. Keep prospecting and retargeting apart

      Exclusions on every campaign so the two never overlap. Otherwise your cheapest audience sits inside your most expensive campaign and the reported cost per lead is an average of two very different things.

    6. Give each ad set enough budget to learn

      Fewer ad sets, each with enough spend to reach the volume Meta needs to leave the learning phase. Splitting a budget six ways feels careful and is the most common reason an account never settles.

    7. Write for the first two lines and the first frame

      The offer and the reason to believe it, before the truncation. Vertical video for Reels and Stories, captions burned in because most of it is watched on mute, and copy written for this platform rather than pasted from the website.

    8. Test creative on purpose

      New concepts against the current winner, one variable at a time, with enough spend behind each to mean something. Creative is the main lever on Meta, and it is the one most accounts never pull deliberately.

    9. Refresh before fatigue shows up in the invoice

      Frequency and cost per result read weekly, creative replaced on a schedule rather than after the numbers have already gone. Waiting for the drop is a month of budget spent finding out.

    10. Run the catalogue properly if you sell products

      Product feed, Advantage+ shopping campaigns and dynamic retargeting for browsers and cart abandoners, with server-side tracking so revenue lands back in Ads Manager accurately. Online stores are very much in scope; the build is just different.

    How an engagement runs

    The first ninety days, honestly.

    1. Week 0

      The audit and the first call

      Thirty to forty-five minutes on what you sell, who buys it and what a customer is worth. Then we open the ad account, read the last ninety days, and write down every leak.

    2. Week 1

      Tracking, then creative

      Pixel, Conversions API, conversion definitions and CRM routing go in first. Building creative on top of broken measurement is how agencies end up arguing about numbers in month three.

    3. Weeks 1–2

      The build

      Audiences, exclusions, campaign structure, creative concepts, copy and landing pages. A real test enquiry is pushed through every tracking path. Nothing is live and nothing has spent.

    4. Day one

      You press go

      Campaigns are created paused so you can read the whole build first. You activate when you are ready, not when we are.

    5. Weeks 2–6

      Learning, then reading

      Ad sets need volume before their numbers mean anything, so structure is held steady long enough to get it. Then the creative and audiences that are not carrying their share get cut.

    6. From there

      Rhythm

      A creative refresh cycle, weekly optimisation, reporting on a fixed cadence whether the news is good or bad, and a proper conversation each quarter about where the next block of budget should go.

    Campaigns are created paused, every time. You read the build before a dollar moves — that is a rule we hold ourselves to, not a favour.

    Where this sits in SoudCoh Compound

    The two levers a Meta account moves most.

    Meta optimises toward whatever it is told counts, and creative wears out fast. So a Facebook account puts its weight on what it counts, and on holding every ad to your cost-per-lead line.

    • Footing

      Real-Enquiry Signal

      The number it moves: True cost per lead

      The pixel and the Conversions API go in before the first ad runs, so Meta learns from calls, forms and bookings rather than clicks.

    • Rung 4

      Threshold Refresh

      The number it moves: Cost per lead

      Concepts are tested wide; an ad or audience running above your cost-per-lead line is cut, and its budget goes to the few that book calls.

    FAQ

    Facebook ads, answered.

    Cost, timing, contracts, who owns the ad account, reporting, and what happens when a campaign is not working.

    The first call is free and there is no deck.

    Talk to us about your ads

    Two separate numbers. Your ad spend goes to Meta, and what it needs to be depends on how many results you want and how competitive your audience is — we recommend a minimum of A$5,000 a month for most businesses, and the largest companies we work with currently invest up to A$30,000 a day in advertising, with enterprise programmes above that. Our management fee is separate, isn't published and is custom-built around the work — contact us for packages. There is no one-size-fits-all answer, which is why the first call is free: you get a real number for your situation before you commit to anything.

    Lead form campaigns can produce enquiries within a day or two of going live, because the form is two taps and never leaves the app. The first two to four weeks are a learning period, though — Meta is working out who to show your ads to, and we are cutting the audiences and creative that are not carrying their share. Campaigns generally settle into their best rhythm around 60 to 90 days. Your industry, your creative and your budget all move that timeline.

    No long-term lock-in. We would rather keep the work because it is producing than because a contract says you have to stay. What we do ask for is enough runway to be fair to the account — a Meta campaign judged on its first ten days is being judged during the part where the platform is still learning. The terms are put in front of you in plain English before anything is signed.

    We own and run the ad account, because the build is proprietary methodology refined across 250+ engagements — audience architecture, exclusion logic, creative testing frameworks and conversion tracking. Your Facebook page and Instagram account stay yours throughout, and you get full-visibility reporting on performance and spend at all times. On long-term marketing agreements, ownership and handover options are available to discuss.

    We tell you, in the report, in plain English, and we change what we are doing. A campaign that is not producing gets rebuilt, repointed at a different audience, given different creative, or stopped. If the honest answer is that Meta is not the right channel for your business right now, we would rather move the budget somewhere that is than keep billing you for it. What we will not do is let it run quietly and hope it comes good.

    A fixed cadence, good news or bad. Each report covers what was spent, what it produced, what we changed and why, and what happens next — written in the language you use about your own business rather than platform jargon. You can also see live performance and spend for yourself at any time. If a number moved, you will find out from us before you find out from your bank statement.

    Yes, for planned work, in SoudCoh's experience of paid social: Facebook and Instagram ads suit jobs a customer can be prompted to want, such as a hot-water replacement, a switchboard upgrade, solar or air conditioning. Emergency work, like a burst pipe or a power outage, is searched for, so Google Ads catches it first. The creative decides the cost: on our own Meta account, our best ad was 2.7× cheaper per booked call than our median ad, across 184 ads tested.

    SoudCoh is a Melbourne agency that runs Facebook and Instagram ads for lead generation, and these are the checks we would make of any agency. Ask to see real ads it has run and what testing them showed; who owns the ad account and pixel; whether leads are tracked with the Conversions API, not the pixel alone; and how fast a new lead reaches your phone. This page shows ads from our own Meta account, and our WELND case study covers paid social for a finance business.

    Google captures demand that already exists — somebody types what they want and you are either on the page or you are not. Facebook creates it, by reaching people based on who they are rather than what they are typing. That makes Facebook harder work creatively and usually cheaper per person reached, and it makes Google the faster route to somebody who is ready right now. The most effective accounts run both: Facebook builds the awareness, Google catches the searches that follow, and the budget moves between them on evidence.

    Yes — Meta is one of the strongest channels an online store has, and we run it end to end. Product catalogue and Advantage+ shopping campaigns, dynamic retargeting for browsers and cart abandoners, prospecting creative built for the feed, and full pixel and Conversions API tracking so revenue lands back in Ads Manager accurately. The approach differs from our service-business work — there we are capturing calls, bookings and quote requests, here we are capturing orders and repeat purchases — but the discipline is identical: track it properly, test it constantly, scale what pays.

    With the browser pixel and the Conversions API running together. The pixel loses a meaningful share of conversions to privacy settings, tracking prevention and ad blockers; the Conversions API sends the same events from your website's server instead, so Meta sees conversions it would otherwise miss and can optimise toward them. It is set up before the first ad runs, matched against the pixel so events are not double-counted, and checked in the account rather than assumed.

    Yes, and it is part of the job rather than an extra. Static images, carousels, short-form vertical video and the copy that goes with them, written for the feed rather than lifted from your website. Where your own footage or photography exists we will use it — on social, real material from the job site regularly outperforms polished production. We also run a refresh cycle, so creative is replaced before fatigue shows up in the cost per result.

    A lookalike asks Meta to find people who resemble a list you already have — your customers, your website converters, your video viewers — at a similarity of 1% to 10%. It works when the source list is good and it is useless when it is not. Seeded from all your website traffic it will find you more traffic; seeded from people who actually booked a job, it finds you more of those. We build them from converters, refresh the source as the list grows, and test the similarity percentage rather than assuming 1% is best.

    Yes — by suburb, by postcode, or by a radius around your premises, and set to people who live in or were recently in the area rather than anyone who has merely shown interest in it. It works the same way in any city we run: Sydney, Perth, Brisbane, Adelaide, Canberra, and outside Australia in the UK, the UAE, Saudi Arabia and New Zealand.

    Service businesses and trades, finance, real estate, healthcare, professional services, hospitality, B2B, and online retail. The common thread is not the industry — it is whether the decision can be triggered rather than only answered. If somebody has to be searching before they will buy, Google is the better first move and we will tell you so. If the need can be created, or the purchase is visual, Meta is usually the cheapest place to reach people at volume.

    Further reading

    Written for the trades who ask us this most often: the paid social formats currently earning their keep. And because a cheap lead that never gets called is not a cheap lead, the follow-up that turns an enquiry into a booked job is the half of it no ad platform will do for you.

    Get the Meta audit

    We read ninety days of your ad account, price the waste, check whether your conversions are actually being counted, and tell you what we would change first. Yours to keep either way.

    No pitch deck. No upsell. A real conversation and a written list of leaks.